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MAD FATHER SMASHES IPAD

Create a cinematic animated winter video with no text, no subtitles, and no titles. Opening scene set in Heilongjiang, China (黑龙江), featuring a breathtaking snowy mountain landscape with pine forests, drifting mist, gentle snowfall, and a traditional Chinese winter atmosphere. Include subtle Chinese cultural elements such as pavilion silhouettes, red lanterns, and red-gold accents. Lighting inspired by Chinese ink-wash painting aesthetics. Calm, poetic mood. Introduce a cute chibi-style bunny hopping across fresh snow, leaving soft footprints. Snowflakes fall in slow motion. Transition smoothly as swirling snow transforms into golden sparkles, shifting the environment into a warm festive winter night. Reveal a glowing Christmas tree decorated with warm fairy lights. Add a cute chibi-style kitten playing near the tree, with the bunny beside it. Include a human character briefly standing near the tree, wearing a winter coat and smiling warmly. Add floating light orbs and gentle snowfall. Build toward celebration as fireworks begin in the sky. Transition the camera upward into a wide cinematic sky view filled with layered fireworks in gold, red, blue, and silver. Snow continues to fall softly. End on a full fireworks sky scene with a magical, joyful, and celebratory atmosphere. Style: high-quality cinematic animation, extra cute characters, smooth camera movement, magical transitions, festive winter mood. Aspect ratio: 16:9 No text or logos.

Create a cinematic animated winter video with no text, no subtitles, and no titles. Opening scene set in Heilongjiang, China (黑龙江), featuring a breathtaking snowy mountain landscape with pine forests, drifting mist, gentle snowfall, and a traditional Chinese winter atmosphere. Include subtle Chinese cultural elements such as pavilion silhouettes, red lanterns, and red-gold accents. Lighting inspired by Chinese ink-wash painting aesthetics. Calm, poetic mood. Introduce a cute chibi-style bunny hopping across fresh snow, leaving soft footprints. Snowflakes fall in slow motion. Transition smoothly as swirling snow transforms into golden sparkles, shifting the environment into a warm festive winter night. Reveal a glowing Christmas tree decorated with warm fairy lights. Add a cute chibi-style kitten playing near the tree, with the bunny beside it. Include a human character briefly standing near the tree, wearing a winter coat and smiling warmly. Add floating light orbs and gentle snowfall. Build toward celebration as fireworks begin in the sky. Transition the camera upward into a wide cinematic sky view filled with layered fireworks in gold, red, blue, and silver. Snow continues to fall softly. End on a full fireworks sky scene with a magical, joyful, and celebratory atmosphere. Style: high-quality cinematic animation, extra cute characters, smooth camera movement, magical transitions, festive winter mood. Aspect ratio: 16:9 No text or logos.

Pakistani muscle man wear shorts in her room window night raining outside man saying ary aj to meri biwi bhi maiky gye hui hai chlo ab muth mar ky hi kaam chla leta hu takiwy ki upar apna lora lgrunga

Pakistani muscle man wear shorts in pool bathing and man saying ary wah hmbistari krny ky baad pool mai nahany ka apna hi mza hai aaah yaar

A cinematic, ultra-realistic 8K ASMR video scene rendered in a single, locked-off mid-range shot—framing the host from the waist down only, with her upper body entirely out of frame, while fully revealing the large cake on the floor directly in front of her feet and the lower half of her legs in clear view. The camera remains perfectly steady with only the slightest natural breathing-like stability, creating deep visual and auditory immersion without pans, zooms, or movement. The host is a cheerful, wholesome 19-year-old blonde Caucasian university freshman with a gentle Australian accent. Long, softly wavy blonde hair is gathered in a loose, casual ponytail (visible only if strands fall into frame at the very top edge). She stands with relaxed, natural posture throughout, gracefully shifting her weight between feet, allowing subtle hip sways and soft arm adjustments for balance (arms and hands remain out of frame)—never sitting, crouching, bending down, lifting the cake, or bringing it to any higher level. Her outfit is casual yet modest: a light-blue denim jacket worn open (out of frame), over a fitted black crew-neck top (out of frame), a knee-length black-and-white checkered pleated skirt visible from mid-thigh down, sheer black tights, and classic black high-top Converse sneakers featuring pristine white rubber soles, crisp white laces, and sharply defined diamond-pattern tread. The location is a bright, immaculately tidy university bedroom bathed in soft, diffused natural window light. Pastel walls in gentle pinks, beiges, and whites create a serene atmosphere, complemented by the lower portion of a neatly made bed with plush pillows, small decorative plushies, and potted plants on shelves visible in the background. The floor is beautiful warm-toned hardwood (light oak with subtle grain and a soft natural sheen) that lends bright, lively acoustic resonance—perfectly amplifying delicate high frequencies while allowing deeper, fuller impacts to reverberate richly through the space. Placed directly on the bare hardwood floor, centred in front of her, is a single pristine two-layer round cake measuring exactly 1 foot (12 inches) in diameter—a generously sized, tall vanilla sponge cake with thick, fluffy white buttercream frosting generously applied between the layers and covering the entire exterior. The top is adorned with subtle decorative swirls and ridges, and the frosting has a smooth, glossy fresh sheen that beautifully catches the light. The cake remains stationary on the floor at feet level for the entire sequence—never lifted, raised, held, or brought above floor level. The host speaks throughout in an ultra-soft, intimate, breathy ASMR whisper—delivered extremely close to the binaural microphones for maximum tingles, with slow, deliberate pacing, gentle mouth sounds, light exhales, airy lip smacks, and occasional soft, relaxed giggles. Her whispers are calm, kind, inviting, and deeply relaxing, spoken in a gentle, natural Australian accent (warm, laid-back tones with subtle rising intonation), perfectly timed and synchronized to every subtle movement and sound, drawing the viewer’s full attention to the sensory details. Example whispers include: “Shhh… such a big, beautiful cake right here at my feet… can you hear my sneaker’s rubber gently tapping the wood just before it touches?” “Mmm… listen closely to that wide frosting surface crackling so delicately under the tread… so crisp and tingly, yeah?” “The thick sponge layers are compressing now with these deep, airy sighs… all across the whole cake… isn’t that nice?” “Shhh… rivers of buttercream slowly squishing and spreading outward… so creamy and slow… pretty satisfying, hey…” “Both full layers collapsing in soft waves… hear that rich, muffled thud echoing through the floor?” “Twisting gently now… all those creamy shifts and soft crinkles spreading across the surface… so relaxing…” “A little controlled stomp… there we go… feel that deep, resonant boom through the wood and cake?” “Look how the sole is completely coated now… shhh… hear the thick, gooey re-squish as I press again… so sticky and lovely…” (shifting her weight slowly) “Mmm… I can just feel the cake squishing beneath my toes… this feels amazing… the frosting just becoming mush beneath my soles…” Actions unfold deliberately and rhythmically, alternating between both feet to fully engage the cake’s large surface while it remains fixed on the floor at feet level: Ultra-slow lowering of the sneaker, producing anticipatory rubber taps on wood and broad initial frosting tension breaks. Gradual pressure revealing expansive sequential layers: widespread delicate frosting crackles → deep airy sponge compression → thick buttercream oozing in visible flows → powerful dual-layer thuds resonating through hardwood. Gentle twisting motions for broad creamy spreads and muffled sponge crinkles across the diameter. Occasional controlled light stomps for dramatic full-surface collapses.

0–2s (HOOK) Wolves rush in from all sides. The lion is alone. 2–5s He fights back, but his strength is fading. His movements slow. 5–7s Other lions appear in the distance. The wolves hesitate and step back. 7–10s (CLIFFHANGER) Lions and wolves stand face to face. No one moves. What happens next?

the Great Deflation (0–7 seconds)\\n\\nSubject: A young, beautiful serious female character with long straight hair dressed in a sharp, well-tailored black blazer, crisp white button-down shirt with some of the top buttons undone and a disco collar, matching wide-leg trousers, a black belt with a gold buckle, and a police badge \\n\\nAction: They look up in total panic as the massive,colourful nylon of a hot air balloon envelope collapses downward from the ceiling.\\n\\nSetting: Inside the cavernous, vibrant interior of a hot air balloon.\\n\\nCamera: Medium-wide shot, tilting up as the fabric falls.\\n\\nBeats:\\n\\n \n\n0–3s: Panic and pointing as the crown of the balloon sags.\\n\\n3–7s: The fabric drops rapidly, completely swallowing them.\\n\\nAudio:\\n\\nDialogue: \\\"I hey im still in here who touched the burner !\\\" / \\\"\\\"\\nAvoid: Blimp, silver lining, metal panels.\\n\\n\n\nShot 2: The Waving Specters (7–15 seconds)\\n\\nSubject: the distinct \\\"sheet-ghost\\\" figure formed by the detective now completely submerged under the heavy, colourful balloon fabric. Their human features are totally hidden.\\n\\nAction: Once the fabric settles, they walk round under it, waving their arms wildly under the material. The thick colourful fabric billows and ripples from their arm movements, creating a comical \\\"haunted balloon\\\" effect.\\n\\nSetting: A brightly lit hangar that opens out into a sunny green field.\\n\\nCamera: Wide shot, static to emphasize their isolated, frantic waving.\\n\\nBeats:\\n\\n7–11s: The \\\"ghost\\\" shapes stand still and wave their arms frantically under the fabric.\n\n11–15s: They continue waving there arms non stop as the camera holds on the ridiculous sight they scream stop them they are getting away while still waving there arms

the Great Deflation (0–7 seconds)\\n\\nSubject: A young, beautiful serious female character with long straight hair dressed in a sharp, well-tailored black blazer, crisp white button-down shirt with some of the top buttons undone and a disco collar, matching wide-leg trousers, a black belt with a gold buckle, and a police badge \\n\\nAction: They look up in total panic as the massive,colourful nylon of a hot air balloon envelope collapses downward from the ceiling.\\n\\nSetting: Inside the cavernous, vibrant interior of a hot air balloon.\\n\\nCamera: Medium-wide shot, tilting up as the fabric falls.\\n\\nBeats:\\n\\n \n\n0–3s: Panic and pointing as the crown of the balloon sags.\\n\\n3–7s: The fabric drops rapidly, completely swallowing them.\\n\\nAudio:\\n\\nDialogue: \\\"I hey im still in here who touched the burner !\\\" / \\\"\\\"\\nAvoid: Blimp, silver lining, metal panels.\\n\\n\n\nShot 2: The Waving Specters (7–15 seconds)\\n\\nSubject: the distinct \\\"sheet-ghost\\\" figure formed by the detective now completely submerged under the heavy, colourful balloon fabric. Their human features are totally hidden.\\n\\nAction: Once the fabric settles, they walk round under it, waving their arms wildly under the material. The thick colourful fabric billows and ripples from their arm movements, creating a comical \\\"haunted balloon\\\" effect.\\n\\nSetting: A brightly lit hangar that opens out into a sunny green field.\\n\\nCamera: Wide shot, static to emphasize their isolated, frantic waving.\\n\\nBeats:\\n\\n7–11s: The \\\"ghost\\\" shapes stand still and wave their arms frantically under the fabric.\n\n11–15s: They continue waving there arms non stop as the camera holds on the ridiculous sight they scream stop them they are getting away while still waving there arms

0:00–0:02 Open savanna. The lion has knocked the baby elephant to the ground and is biting its neck. Movements are realistic: muscles tense, dust flies. 0:02–0:04 Camera pans to show the mother elephant running at full speed from a distance. The ground shakes, grass is trampled. 0:04–0:06 The mother elephant reaches the scene, wraps the lion with her trunk, and violently throws it away in one swift motion. 0:06–0:08 The baby elephant gets up, scared, and runs to the mother for protection. 0:08–0:10 The lion stands up and approaches again. Tension remains; the threat is still present.

{ "segment_1": "MONKEY_WARRIOR vs LION_PRIDE | The monkey masterfully spins a long wooden staff in a blur of motion, lunging at the lions to keep them at bay | Intense aggression, baring teeth, focused battle cry | African Savannah, dry grass, scattered acacia trees in the background | Eye-level medium shot, slight dynamic camera shake to enhance tension | Warm golden hour sunlight, long dramatic shadows | Natural earth tones, dusty yellow and deep gold | Swirling dust clouds around the monkey's feet, wooden staff | Loud lion roars, whistling sound of the spinning staff, dry grass crunching | No dialogue | 4K, Highly detailed fur textures, cinematic motion blur, 24fps" }

{ "segment_1": "MONKEY_WARRIOR vs LION_PRIDE | The monkey masterfully spins a long wooden staff in a blur of motion, lunging at the lions to keep them at bay | Intense aggression, baring teeth, focused battle cry | African Savannah, dry grass, scattered acacia trees in the background | Eye-level medium shot, slight dynamic camera shake to enhance tension | Warm golden hour sunlight, long dramatic shadows | Natural earth tones, dusty yellow and deep gold | Swirling dust clouds around the monkey's feet, wooden staff | Loud lion roars, whistling sound of the spinning staff, dry grass crunching | No dialogue | 4K, Highly detailed fur textures, cinematic motion blur, 24fps" }

0–2 s (HOOK) The wolf and the lion are fighting in the forest. 2–4 s Teeth clash, bodies collide. 4–6 s They tumble to the ground. 6–8 s The wolf attacks again. 8–10 s (CLIFFHANGER) The lion counters — and the fight is far from over…

Genera un video di una ragazza bionda con gli occhi blue capelli biondi anni 80 stile George Michael di nome Diana volto giovane indossa il costume da bagno ha anche gli occhiali da sole rayban, e poi arriva Aurora la sua migliore amica anche lei indossa il costume è i rayban, , Aurora la ragazza dai capelli marroni indossa un giobotto per bambini da salvataggio gonfiabile ma in versione adulta quindi la ragazza bionda avvicina alla bocca la piccola valvola che non si vede che si trova sul collo del giubbotto di salvataggio ed inizia a gonfiare il giubbotto sgonfio indossato da Aurora, parla Diana e poi Aurora lingua italiana ambiente spiaggia, la ragazza bionda è seduta sulla sabbia e la ragazza con i capelli marroni e di schiena

Shot: Wide-angle shot of a modern business setting, such as a retail store or café. A customer is using a POSZEO terminal at the counter, completing a payment. Camera Movement: Smooth push-in toward the POS terminal, showing both the customer and the device in action. Visual: The POSZEO terminal is clearly visible on the counter. The customer completes the payment seamlessly. Audio / Voiceover:“Poszeo makes business transactions smarter, faster, and more reliable.”

Shot: Wide-angle shot of a modern business setting, such as a retail store or café. A customer is using a POSZEO terminal at the counter, completing a payment. Camera Movement: Smooth push-in toward the POS terminal, showing both the customer and the device in action. Visual: The POSZEO terminal is clearly visible on the counter. The customer completes the payment seamlessly. Audio / Voiceover:“Poszeo makes business transactions smarter, faster, and more reliable.”

Shot: Wide-angle shot of a modern business setting, such as a retail store or café. A customer is using a POSZEO terminal at the counter, completing a payment. Camera Movement: Smooth push-in toward the POS terminal, showing both the customer and the device in action. Visual: The POSZEO terminal is clearly visible on the counter. The customer completes the payment seamlessly. Audio / Voiceover:“Poszeo makes business transactions smarter, faster, and more reliable.”

0:00–0:02 (Powerful Hook) Wide shot: suddenly, a deer bursts into view, and a lion lunges after it, kicking up dust and grass, camera moving fast—viewer is instantly thrown into the chase. 0:02–0:04 Close-up: deer panicking, ears back, sprinting frantically. 0:04–0:06 Mid-shot: lion lunges, they tumble briefly in a short struggle. 0:06–0:08 Deer slips free, jumps up, bolts across the grass. 0:08–0:10 Lion immediately turns and resumes the chase, camera dynamic and fast-paced.

0–2 seconds Four cheetahs are attacking the lion. They come from different sides and hold his neck and shoulders. 2–4 seconds The lion struggles, trying to fight back. The cheetahs actively bite his neck. 4–6 seconds The cheetahs push the lion to the ground and hold his neck. The lion cannot move, fully controlled. 6–8 seconds Other lions start approaching from a distance. The cheetahs look at each other, considering what to do, still holding the lion. 8–10 seconds When the other lions arrive, the cheetahs release the lion but stay nearby, watching each other. The lion begins to move again, the situation stabilizes.

Boy and girl in her room snowing outside inside Christmas tree Christmas decorations boy saying ham ny ghar ko kitna acha sajaya hai na girl saying ha santa ye dekh kar khush hogyegy ha ha

0–02s “The lion is drinking water at the riverbank. Suddenly, a crocodile bursts out of the water, bites the lion by the neck, and tries to drag him into the river.” 0–04s “The lion fights back fiercely, digging his claws into the ground, struggling with all his strength to avoid being pulled in.” 0–06s “The lion counterattacks, biting the crocodile by the neck and pulling it out of the water onto the riverbank.” 0–08s “With explosive power, the lion shakes and throws the crocodile away.” 0–10s “The crocodile gets back on its feet, hissing and preparing to attack again. The lion steps forward, roaring, ready to defend his ground.”

Ultra-realistic wildlife cinematic video, 10 seconds, natural animal behavior, real anatomy, natural physics, no fantasy, no cartoon, no exaggeration. Daytime natural sunlight, realistic shadows, 4K photorealistic quality, dynamic cinematic camera, handheld feeling, dramatic tension, no text, no logos. 0–02s: Wide cinematic shot of a male lion calmly drinking water at a riverbank. Subtle water ripples, tense atmosphere. Suddenly, a crocodile violently bursts out of the water and bites the lion by the neck. Massive water splash, realistic impact. 0–04s: Close-up action shot. The lion roars and struggles fiercely, muscles fully tensed, claws digging into wet ground. The crocodile pulls backward, dragging the lion toward the river with powerful force. 0–06s: Slow-motion moment. The lion bites the crocodile’s neck with full strength. Using explosive power, the lion drags the crocodile out of the water onto the riverbank. Mud and water flying realistically. 0–08s: Dynamic side shot. The lion violently shakes and throws the crocodile away. The crocodile hits the ground, rolling and stunned. 0–10s: Final tense shot. The crocodile regains footing, hissing and preparing to attack again. The lion stands dominant, roaring and ready to strike. Epic confrontation freeze moment.

By the water’s edge, a lion is trapped. A five-headed cobra has wrapped around him. The lion struggles violently… But his strength is fading fast. The cobra is dragging him into the water! Who will survive this fight?!

Shot 1: The Technical Error (0–7 seconds) Subject: Two professional blimp technicians. Woman 1: blonde spiky pixie cut, blue eyes. Woman 2: dark bob haircut. Both in sky blue V-neck sweaters over white collared shirts, grey trousers, and visible ID lanyards. Action: Standing in the center of the blimp, looking up in total panic. A gigantic, colossal white blimp fabric deflates from the ceiling, its massive scale dwarfing the two women as it collapses. Setting: Silver-lined blimp interior with visible control panels. Dialogue (Already in Timeline): Woman 1: "I told you that valve was loose!" Woman 2: "I thought you tightened it!" Camera: Medium-wide shot, tilting up as the mountain of fabric begins to fall. Beats: 0–3s Shouting and pointing; 3–7s the fabric drops rapidly, completely enveloping them by the end of the clip. Look: High-fidelity, cinematic lighting, sharp focus on their panicked expressions. Shot 2: The Ghostly Argument (7–15 seconds) Subject: Two clean, distinct ghost figures—the technicians now completely submerged under the gigantic, ten-inch thick white blimp fabric. Action: They are waving their arms wildly under the heavy material, creating dramatic, moving silhouettes. They bump into each other and "shout" through the fabric while stumbling around. Setting: A brightly lit blimp hangar that opens out into a sunny, green field. Dialogue (Already in Timeline): Woman 1: "Get off my foot, Brenda! I can't see anything!" Woman 2: "I'm trying! This fabric is ten inches thick!" Camera: Wide shot, static to emphasize the slapstick movement. Beats: 7–11s Silhouettes bickering and struggling in the hangar; 11–15s they clumsily shuffle out into the bright outside field. Audio: Echoing hangar acoustics and the heavy, loud rustling of thick vinyl fabric.